Christopher Elliott used a voice of rare beauty to excellent effect as Ottavio. His recitative delivery was utterly delightful and worth the ticket price alone...His performance...leads me to the conclusion that this must be one of the best voices to have come out of the RSAMD for some time” - Opera Now Magazine
 
Chris Elliott is a Lyric Tenor with bases in Scotland, Northumberland and London.
 
A recent graduate of the RSAMD Opera School, Chris received a “student with outstanding potential” award from Scottish Opera, the Friends of Scottish Opera and The Caledonian Foundation USA, won the John Ireland Song Prize, and was one of the 50 young conductors, directors and singers around the world to be chosen by Opera Now Magazine for their annual “Who’s Hot?” feature of the rising stars.
 
He studies with Stephen Robertson and is also one of only a handful of pupils in the care of the legendary Swedish tenor Nicolai Gedda, ‘the most recorded tenor in history’.
 
Chris was also recently made a Crear Scholar, taking part in a week-long residential song Masterclass at Crear with Malcolm Martineau.
 
Chris hails from Northumberland and started his musical life as Head Chorister at Durham Cathedral & with the National Youth Choir of Great Britain.
He has sung Don Ottavio (Don Giovanni), Albert (Albert Herring), Tito (La clemenza di Tito), Youngest Son & The Lover (The Vanishing Bridegroom), Bill (Flight), Dr Bartolo (The Marriage of Figaro), Bardolfo (Falstaff), Rinuccio (Gianni Schicci) and (exerpts) Don Basilio (Figaro), Lenski (Eugene Onegin), Nadir (The Pearl Fishers), Rudolfo (La Boheme), Pang (Turandot), Tom Rakewell (The Rake’s Progress), Male Chorus (The Rape of Lucretia), and Nemorino (L'elisir d'amore). 

For the Edinburgh International Festival he sung in Curlew River for conductor Gary Walker, and as a Lehrbube in Die Meistersinger von Nürnberg for David Robertson.

Chris' oratorio engagements have included The Messiah for The Boscastle Flood Appeal; The St Matthew Passion & Mozart's Requiem and Vespers in Durham Cathedral; Haydn’s The Creation and Creation Mass; Schubert’s Mass in G & Schumann’s Requiem, Rutter’s A Sprig of Thyme, Britten's Rejoice in the Lamb, Rossini’s Petit Messe Solennelle and Verdi’s Requiem.

He also recently took part in a week-long residential masterclass in Strauss & Purcell song with Roger Vignoles in Upper Austria.

In addition to his work as soloist, Chris also runs The Opera Gala Company, a bespoke opera service for private clients, corporates and other organisations.


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